
Saturn wrote:You know there's a film of that with Charlton Heston [yes,the gun-totting former NRA president himself]as Michelangelo,which, ridiculous as that idea sounds,isn't half bad, particularly Rex Harrison camping it up as the impatient villanous Julius II .
For reading on the Medici, their patronage of the artists, The Renaissance in Italy etc I would highly recommend 'The Medici: Godfathers Of The Renaissance',by Paul Strathern and perhaps for some contemporary [albeit occassionally fanciful] flavour Visari's 'Lives Of The Artists' are always well worth a look.



Saturn wrote:You know there's a film of that with Charlton Heston [yes,the gun-totting former NRA president himself]as Michelangelo,which, ridiculous as that idea sounds,isn't half bad, particularly Rex Harrison camping it up as the impatient villanous Julius II .
For reading on the Medici, their patronage of the artists, The Renaissance in Italy etc I would highly recommend 'The Medici: Godfathers Of The Renaissance',by Paul Strathern and perhaps for some contemporary [albeit occassionally fanciful] flavour Visari's 'Lives Of The Artists' are always well worth a look.

Makes you wish you, too, were there . . .
I was pleasantly surprised to read Mary Cowden Clarke's description of (what we know as) Keats's characteristic pose. I knew from earlier readings that Vincent Novello's eldest daughter, Mary, married CCC, but I had never read anything she wrote. It was a nice surprise.
I like her reference to Keats's "picturesque head." That adjective describing him is new to me, but it fits, that's for sure! Pretty he no doubt was -- classic pretty.
I suppose that would be "beautiful" -- he certainly was beyond pretty; truly beautiful in every sense of the word.



Pjerrot wrote:Raphael, I too purchased a biography on Beethoven a while ago; I unfortunately never finished it. I have a habit of not finishing things that are simply too joyous to be with. I remember shedding a few tears for the "loss" of some special, endearing characters because the pages ended.
On track again -- Beethoven was quite a personality. His dramatic change in compositional style from his early to late years is astonishing.

Raphael wrote:Pjerrot wrote:Raphael, I too purchased a biography on Beethoven a while ago; I unfortunately never finished it. I have a habit of not finishing things that are simply too joyous to be with. I remember shedding a few tears for the "loss" of some special, endearing characters because the pages ended.
On track again -- Beethoven was quite a personality. His dramatic change in compositional style from his early to late years is astonishing.
Yes he was! What a cruel hand fate played him- a musical genius who lost his hearing. I got a book out of the library today on composers- had a little read at dinner time. Franz Liszt was a bit of a character too- a rather flamboyant player unlike the shy Frederic Chopin. Women would flock to see Liszt play and scream and faint at his playing! I shall tell anyone who this who sees Classical composers as stuffy old men- some of them were young, passionate sexually charged men who were the celebreties of their day, playing passionate music which moved people and excited them. Classical has the image of being sedate, high brow music for snobby people to some pop music lovers- they don't know the half of it..
I find Chopin's opus 25 etude n0 12 in c minor very exciting! There's passion there!

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