Fantasie impromptu, OP 66:
http://www.youtube.com/watch?v=tvm2ZsRv3C8
WOW! The passion, sweeping melodies..dramatic rises and falls in tempo, pitch etc....
Methinks our poet would have loved this.

Thank you for the link. Chopin is a favorite of mine and one of the composers that inspired me to learn piano with the Polonaise op. 40 no. 1 ("Militaire") http://www.youtube.com/watch?v=Wsd1qpm2zjk . It is such a shame that he too died young like John and from tuberculosis nonetheless.
My last music performance for a state-wide festival was of Chopin's Raindrop Prelude. The (supposed) story behind it brings a well of tears to my eyes every time I recount it. While staying in a cathedral in Majorca, Chopin was said to have played the piece in a trance during a torrential night while awaiting the arrival of George Sand and her son who were returning from Palma. When they finally arrived, exhausted and completely drenched, Chopin started at the sight of them and said, "Ah! I knew you were no longer alive!" The repeated a-flats/g-sharps are said to be the raindrops that the composer envisioned which repeatedly dropped sharply on his dead body while floating in an icy lake.

Chopin works well with rain- but it needs to be heavy wild rain, with big fat raindrops and if there is thunder all the better!
I think if John's poetry could be translated into musical sounds it would sound like the nocturnes and this piece don't you think?



Is there a biography on Frederick Chopin?
I haven't found many websites for him and there doesn't seem to be an offical one either.
I haven't been listening to Classical music for long- since about October last year- I didn't like it before, except one or two pieces.All of a sudden I have a great hunger for it!And gone right off (most) pop music.
Well... there is a sort of "watery" feel to his music. I'm not sure how to express it words, but sometimes when I listen to his composition I feel that I am drowning, it awakens some very strong, yet vague and indistinct sensations. It's the same feeling that you get after waking up from a dream that you can't but dimly remember...
Schubert is a much more appropriate analogy to Keats, and in my opinion a far superior composer.
Saturn, I agree that the comparison between Keats and Schubert is more appropriate in terms of how their lives were similar, but I disagree that Schubert was a superior composer than Chopin. The two (Schubert and Chopin) were working with quite different musical ideals despite them being so close to one another in compositional history. Schubert was, for the most part, a Romantic using Classical period structures and Chopin was a Romanticist who shunned the term and composed within revolutionary Romantic structures. Schubert was a master of the german Lied while Chopin revolutionized piano playing to something more instrospective. Simply put, the two had different methods in their approach to "music.


Saturn wrote:Horses for courses etc. I wouldn't judge a composer only on what they play on the radio anyway which is probably mainly the most popular pieces.
Chopin is great, I love Chopin, his piano concerto's particularly but I meant Schubert was a greater composer in terms of musical variety.
Schubert has a far greater breadth of work, not just confined to the piano, he has Symphonies, masses, operas, over 600 songs, sonatas, Quartets, quintets, a far greater range of pieces in many different forms. Chopin, while a truly great pianist and virtuoso, was a poet of the keys, faithful to one instrument, it was his pen, his voice, his orchestra.

Chopin is great, I love Chopin, his piano concerto's particularly but I meant Schubert was a greater composer in terms of musical variety
Raphael, the nocturnes were quite revolutionary when they were published. Chopin sort of unwillignly helmed the way into the later Romantic period with all those lush harmonies and moving melodies. And I'm very content to know that you enjoy his music so much.

Oh I have heard this rendition more than a dozen times before, and it still gives me the goosebumps. I don't know much about pianos, but I can't tell this is a very difficult piece because it requires both very advanced technical skill (which is apparent from the speed of the first part and the many changes of tempo) and considerable artistic sensibility of the pianist, both of which are very well mastered by the excellent Yundi Li. He feels Chopin in a way that few people do - I have heard interpretations by other, more prestigious pianists that failed to awake the same feelings in me that this one does. He's definitely one of the best pianists of his generation, possibly one of the greatest ever.
I find it incredible that Chopin actually hated this piece, which is why he never published it during his lifetime, and wanted it to be burnt after his death, at least that's what they say. Happily, his heirs did not comply with this testamentary request, and consequently we have the privilege of being able to listening to this truly unearthly piece of music.
Well... there is a sort of "watery" feel to his music. I'm not sure how to express it words, but sometimes when I listen to his composition I feel that I am drowning, it awakens some very strong, yet vague and indistinct sensations. It's the same feeling that you get after waking up from a dream that you can't but dimly remember... It may have something to do with the fact that he was born under Pisces, which is the most enigmatic, mystical and imaginative sign in a zodiac. You never quite know what they're trying to say, but you feel swept off your feet and taken to a magical world in another dimension, a world where the most intense and exquisite emotions you are ever likely to experience come to life. You can't just listen to Chopin. You have to be willing to slip into a musical trance, and lose all consciousness of the 'real' world.
I think if John's poetry could be translated into musical sounds it would sound like the nocturnes and this piece don't you think?
I do think so, yes. In fact the idea has occurred to me before.
They had many things in common, they were both very intense and passionate, they both immersed their soul in art and love, they both suffered greatly throughout their lives, they both died from tuberculosis...
It would have been interesting if they had met... What do you think the impact would have been on one another?
I absolutely love Chopin. He's one of those composers whose music helps me truly connect with the inner depths of feeling. Beethoven does that to me, too--and Puccini.
Raphael, there is one biography (very, very, brief) of his life by fellow composer Franz Liszt. I found it very insightful. And yes, the nocturnes are fitting for John's poetry, very sensational and rich. As far as Beethoven and Mozart are concerned, I have strong admiration for both but much prefer Beethoven's strength of spirit and originality that exudes through his music. Mozart has a prodigious output some of which isn't entirely to my taste. However, his sense of pacing and gift for melody are by far among the greatest in compositional history.
For any who are easily moved to tears, please, indulge in Giovanni Battista Pergolesi's Stabat Mater or Salve Regina. (Pergolesi was too taken away by tuberculosis.)

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